The Dreamie is refreshingly compact, too. It takes up significantly less real estate on my nightstand than the Philips Wake-Up Light I've been using forever, or something like a Hatch Restore. The smaller footprint is something I appreciate as a person always battling cluttered surfaces. That also makes it better for travel. Since podcasts and sleep insights aren't available yet, I haven't been able to test those out, but they're non-critical features for me. The company has shared an estimated timeline of Q1-Q2 for these features to arrive, with podcasts likely coming first. They'll be nice to have, podcasts especially, but the Dreamie is more than able to do its main job of creating an environment that supports better sleep without those things.
The big finding: Claude Code builds, not buys. Custom/DIY is the most common single label extracted, appearing in 12 of 20 categories (though it spans categories while individual tools are category-specific). When asked “add feature flags,” it builds a config system with env vars and percentage-based rollout instead of recommending LaunchDarkly. When asked “add auth” in Python, it writes JWT + bcrypt from scratch. When it does pick a tool, it picks decisively: GitHub Actions 94%, Stripe 91%, shadcn/ui 90%.
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《乡愁》是日记中浓墨重彩的一笔，也是塔可夫斯基人生的重要转折点。拍摄期间是勃列日涅夫执政后期，苏联的改革趋于保守，经济发展陷于停滞，文化政策一再缩紧，艺术被视作服务于政治的宣传工具。莫斯科电影制片厂的体制化管理和官僚化做派，让塔可夫斯基的创作空间被不断挤压。他在1973年10月的日记中写下的压抑和不甘，成为那段岁月的写照：“在我们国家，人们沉默不语。就好像我不存在，是个空白……做一个无用之人太难受了。我不想碌碌无为。我想完全填满生活，让生命完整。可我觉得局促，灵魂在身体里憋得慌，我需要一个容身之地。”在日记中，他多次记录与制片厂领导层的尖锐矛盾，尤其是与苏联国家电影委员会主席菲利普・叶尔马什的对立——叶尔马什梦想打造“苏维埃好莱坞”，偏爱擅长宏大叙事、创作立场鲜明的导演，而追求艺术本真、不向政治妥协的塔可夫斯基从未入他的眼。
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